Reviewed by Joe Gellman
I have to apologize for what I am about to do, but it is so very apropos of this cigar: "Between sips, what pure aroma Rises from a steaming cup of coffee, Between puffs on a delicious Havana: The two compliment each other, And both our characters Sit in savory dialogue Discussing questions Of field and farming" Ricardo del Monte (1828-1909)
Made in the Lazaro Pena factory in Havana, located at San Carlos 816 (I mention the address in the hope that anyone who gets to Havana will go there and tell whoever is in charge how much I enjoy this vitola), this cigar is unique in flavor and an absolute must for every smoker of Puros. A perfect 5 x 48 (127 x 19), this cigar is a marvel of construction, and the paradigm of what a robusto ought to be. Every one I received was rolled to perfection. Upon opening the box I got a whiff of Nirvana to come; you hear about the "interesting" smell of a box of Cubans, but this is the one that sets the example for the rest.
A fully aromatic cigar, the nuances which develop are legendary. The color of this cigar is classified as "Maduro," meaning a wrapper of brown tones. There was no reddish color to the wrapper and the oil which had developed made the brown tones deep and rich to the eye.
While the cigar was not as smooth as many other robustos, it was very pleasant to the eye. The wrapper was, however, for the most part, even, without veins, and each one was made by the same hand. On a weird note it is to be noted that many writers have measured this cigar from 5 to 5 1/8 x 48 to 49. I guess it depends on the way the cigar is stored, it's moisture content, or simply a bad ruler.
Another weird note: I think this is the perfect robusto for any smoker. I simply cannot say enough about this cigar.
The cigar was rich, silky, and smooth, to the touch. The cigar promised what it delivered, a grand smoke deserving of praise.
Before lighting the cigar I noted a soft, sweet, earthy aroma. I placed this marvel in my mouth and thought of the time, in my youth, when I was lying in a field of California Poppy, pulling their grassy roots out and chewing on them....what can I say, I'm strange.
The head had three strands of wrapper which cut as a hot knife through cold butter. I used a punch on the second smoke and it was, likewise, like the first.
The foot of the cigar looked as if cut by a laser, and the tobacco was rolled hypnotically, foretelling of an even burn.
The cigar was firm without any soft spots, never becoming fragile or mushy.
When I lit the cigar it flashed to life as if it were waiting for me all its short life. From the first draw to the last life-sucking drag, ample amounts of smoke were produced, never too much, never wanting. The aroma upon lighting was almost honey-sweet with a slight undertone of woodiness.
Having a little age, this cigar was full bodied and had lost all its green, worrisome, tones. If I have ever used the term "ambered" it is a perfect assessment for this cigar.
The burn was even throughout. The aromas never got out of hand and were fine for indoor smoking. The ash was a deep gray, perfect concentric rings from start to finish, crusty to the touch, and when cut it proved to be fully burned and the color was the same to the end.
The cigar never burned hot, and was cool at all times. Towards the last half of the cigar the smoke seemed to dance in the still air and the flavors only grew to a crescendo at the last. I have to admit to a slight taste of spice at the last inch, but I was caught up in the smoke to detail what spice this was...perhaps that of burnt honey...sorry.
The downside of this cigar is the lack of power for smoking after a hearty meal. While I might smoke this cigar at any time of day, I think this is a superb early morning smoke to be enjoyed with a strong cup of coffee (see poem).
Were I you, reader, I might beg C.GARS Ltd to part with a few of these wonders. Anyone want to venture a guess if I liked the cigar? ===============
I liked the cigar.